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The world is great, but in our heart of hearts,
it in as deep as the sea
Rainer Maria Rilke

Press release
An observant great lonely man,Gérald Hach explores
the depth of the emotions which are in our inner world. After travelling
all over the world by bike, alone, this discovery-loving man goes to conquer
the intimate universe. In this inward journey, he wonders about the duality
which is in each person, the polarity of his feelings : power and self-abnegation,
strength and gentleness, joy and anger....
All these emotions that we might describe as masculine and respectively
feminine,create the richness of our inner dialogue, the alchemy of our
emotions.The sculptor evokes the complexity of this dialectic in the well-matched
of the contraries . each of his clay or bronze works is the feeling of
this blend between feminine and masculine, whose unifying line is expressed
by the shape, the texture and the material.
Masterfully
Guided by a profound desire to take up sculpture,
one day Gérald Hach heard someone who told him . If you can
sculpt hands, you can do everything. The challenge was put out.
He placed trust in this inspiration and even though he had never attented
one course, he started sculpting hands. The achievement was astounding.
His first sculpture (in 1995) was a real truthfulness. These two clay
hands, which were holding in them the beings ambivalence, marked
the dawn of a declination continually stimulated by the sculptors
sensibility and creative dynamism, a man who has a passion for the nature
of this peers. Through his hands, Gérald Hach shapes the individual
plurality, the difference which makes the beings nature.
Faces with emotions
The other creative side of the sculptor is revealed
by his faces. As a mask, each of them presents a symbol which is linked
to the most dignified emotions and the repressed feelings. From the utmost
softness to the destructive strength, we can use the expression : All-in-One.
Each face reflects our own inner image, and makes us react at different
levels of our personality.
Geneva, return to the basics
After several private exhibitions, Gérald
Hach first shows his works to the public. Naturally, he has chosen Geneva,
the town where he was born, for this event that he shares with Amedée
Chatriand, a painter from Lausanne.
During a fascinating journey in the universe of the emotions, every visitor
will have his own inner world as a reference point. It is why Gérald
Hach does not name his sculptures. In this way, he allows everybody to
have a quite individual freedom of the interpretation: As soon as
the sculpture is shaped, it quite no longer belongs to me, but it is everyones
who look at it. When a person tells me what she feels as she is looking
at my sculptures what they create in herself, it is the most beautiful
of my presents. Even if, it is the quite opposite of my own feelings when
I was shaping them.
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